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Mira Solenne Doesn't Want to Be Famous. She Wants to Be Right.
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The Mid-Budget Film Is Back, and It Brought the Grown-Ups
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The Last Projectionist on the Rue Saint-Sauveur
In a 140-seat Paris cinema that never went digital, one man still threads every reel by hand. A night in the booth with the keeper of a disappearing craft.
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Seven Nights Under the Atlas: A Diary From Marrakech's Newest Film Festival
Open-air screenings in a restored caravanserai, a jury that argued until dawn and a debut from Casab…
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The Sisters Pressing Records by Hand in a Former Detroit Bakery
Three sisters, two restored presses from the 1960s and a waiting list that stretches into next year.…
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How a 90-Seat Glasgow Theatre Became the West End's Secret Scout
The Lantern Wynd has no marketing budget, no bar worth mentioning and a stage the size of a large ki…
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The Showrunner Who Writes Every Episode Longhand
Harriet Vaske wrote all twenty episodes of the year's most acclaimed drama in pencil, alone, in a re…
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Review: 'The Salt Orchard' Is a Slow Epic Worth Every Minute
Ingrid Aalto-Mendes's three-hour portrait of a family harvesting salt on a dying Andean la…
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Five Jazz Rooms Worth Crossing Europe For
From a cellar in Lisbon to a converted boathouse in Copenhagen, a guide to the small, fier…
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The Costume Archivist Who Keeps Cinema's Wardrobe Breathing
In a climate-controlled warehouse outside Madrid, Amparo Villaseñor cares for forty thousa…
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Opera's Newest Audience Arrives in Trainers
Late-night performances, standing tickets for the price of a cocktail and a striking absen…
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In Conversation: Rafe Adeyemi-Kross on Comedy After the Special
The stand-up whose last hour was watched by millions has stopped recording his shows entir…
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The Radio Play Returns, Headphones First
Long dismissed as a relic of the wireless age, audio drama is enjoying an unlikely revival…
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Mud, Money and Meaning: The Real Economics of the Boutique Festival
Small music festivals promise intimacy, curation and a field full of like-minded strangers…
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The Choreographer Teaching Pop Stars to Stand Still
Temi Varga-Adeleke trained in contemporary dance and spent a decade in experimental theatr…